Sergey Biryukov Biography

Biryukov Sergey about a solid volume about a solid person: the book was published in a non -standard horizontal format, in a laminated cover that is pleasant for fingers - silver embossing, it is repeated on a super -car. Inside is abundantly fictionalized and illustrated, based on the hero’s direct speech, a biography in a delightful and patronizing tone.

Different aspects of the life of Denis Matsuev, man and festival are emphasized: from attitude to criticism to relations with power and with sports. Biryukov S. Denis Matsuev. Life on CressCendo. The circulation of the touching and famillaries are the first sections that tell about the early life of the hero: “Childhood is a brilliant time” Quote from Matsuev himself, “First Teacher” Lyubov Sementsev, “Between Irkutsk and Moscow”, “CMS with a sports bump” where love for football, “New names” and the beginning of the international career, “for the heap under the wing” To Aleksei Sysedkin, The author’s tone almost does not change when the hero grows up, swells, accumulates the repertoire, goes into politics: the sections “Himself to the impresario”, “From Grieg to Shchedrin”, “Difficult love: Schubert, Brahms ...

Chopin? A graduate of the Moscow Conservatory as a theoretical musician. Candidate of Art History, topic of the dissertation "Improvisation in music and its style types." C is the musical observer of the central newspapers “Pravda”, etc. Published in such publications as “Musical Life”, “Musical Seasons”, “We play from the beginning”, “Russian newspaper”, “New Izvestia”, “Independent Gazeta”, the blog of the “St.

Petersburg Theater Journal”. Among the publications are an interview with Galina Ulanova, Galina Vishnevskaya, George Sviridov, Evgeny Svetlanov and other outstanding artists. The author of the books "Nikolai Petrov. Creative portrait ”M. Creative portrait of Grigory Kovalevsky” M. was a guest of the programs “Watching” and “Artificial selection” on the radio “Culture”.

Friend of the family of Rodion Shchedrin and Maya Plisetskaya, author of a number of interviews with the Great Ballerina. The photographer is engaged in reporting the shooting of musical events. Member of the Union of Composers of Russia and the Association of Theater Critics. The expert of the Golden Mask festival from the book is not at all whether the critic is praising me or scolds me, ”says Denis.

But it is important what the next concert will be - but for this “debriefing” is necessary. And you turn to the press, looking for a hint in it, how to really make a performance better. Take you Anthony Tommazini-one of the most authoritative critics of the world, who wrote in New York Times, probably two dozen roar at my concerts. His article is memorable about “Pictures from the exhibition”-with detailed comments on the pace, by the degree of reflection in the piano game of orchestral timbres: for example, he heard a “saxophone” in the “Old Castle”, and somewhere he did not have this orchestral ...

A very useful review, which I carefully studied and then revised something in his interpretation, which, in my opinion, became of it, in my opinion. Better ... It is still very important that not only the performer listens to such criticism - then the same audience reads it, concert managers read it. But in any case, this indicates a high authority of musical journalism.

Unfortunately, in Russia there is nothing even remotely reminiscent of this authority. A heavy blow was dealt by criticism, Denis believes, when most of the people who are now found in the profession advanced. Even if this plot has nothing to do with it-the extra mention of Russian figures in the negative tone, especially those who are somehow associated with the authorities and Putin, are welcome.

Why is there a long -term participation in the Council for Culture under the President of the Russian Federation? I am looking for financing for all my concerts, of course, the state helps somewhere, but basically it is the support of my sponsor friends. But the topical moments of the same education must be talked. The “turning over” of the picture on the display causes unpleasant associations - like a person drives an annoying bug, and she does not want to drive away.

Books for him - if we do not talk about Russian literary classics, which, of course, is based on the whole - this is help in musical work. It was in November. At first, Denis shared the widespread opinion that this was an essay of the second row, especially compared to Sonata SI Minor: a lot of roar, the form is incomprehensible ... But he heard the performance of Sofronitsky, which was fascinated, although it was made amateur at some concert, with everything inevitable in such cases by a technical marriage: another listener would endure for three minutes-and turn off.

But Denis withstood this “test of three minutes”, and the music literally nailed him to the chair. He began to read about the sheet, about Sofronitsky - and so the performing victory was achieved. The first significant success during training by Pavel Nersesyan.Denis still remembers the then asist of the Dorensky word: “For the first time in six months, I felt that you understand what I was talking about all this time about - the need to hear through the through development here.” Then there was a period when the young man became interested in the letters of Prokofiev.

However, the same reading convinced him that not all the details of the composer’s everyday life are related to the depths of his work, some, on the contrary, are leaning to the side. And the most important thing is still listening to music, the development of her own attitude to it. And in fiction - as in the visual arts - no modern bestsellers can be compared to Matsuev with classics.

Especially with Chekhov: - The whole recent American trip did not let out the volume of Anton Pavlovich from his hands. Regardless of how you played. At such moments, it is very important to maintain, as they say, identity. And Chekhov in this surprisingly helps. Submits into something that returns you not even home-because in modern Russia it also almost disappeared: in the atmosphere of subtle human relations, deep thoughts, crystal language.

In the template of genuine feelings.