Jin Zhang Biography

The article is devoted to the study of the creative life of the Chinese pedagogue artist Zhang Huatsin-a graduate of the Leningrad Institute of Painting, Sculpture and Architecture named after I. Keywords: creative life; Institute named after I. Repin; modern painting; Zhang Huatsin. Huaqing Zhang IS A Famous Artist and Pedagogue in China, Who Graduated from the Repin Institute of Painting, Sculpture and Architecture.

Key Words: Creative Life; Repin Institute; Modern Painting; Huaqing Zhang. Repin with the city of his creative life can be divided into three periods. The second - the period of the formation of the professional skill of the artist - covers six years of study at the I. Repin Institute, one of the most famous art universities in the world. Here, Zhang Huatsin expanded his knowledge about painting, engaged in Russian artists-artists.

During his studies, he performed many drawings and sketches that will be considered in the article later. The master used these works subsequently in his pedagogical activity. The third period is the continuation and development of the traditions of the Leningrad picturesque school in China, where Zhang Huatsin returned after graduation in the city It was here that he began to transfer the traditions of the Leningrad Picturesian School to his students.

Getting acquainted with the creative life of Zhang Huatsin, we better learn the history of the development of Chinese modern painting. Zhang Huatsin is not only a famous artist of China, but also a talented teacher. He was born in May G. Zhang Huatsin brought up in a peasant family. At the age of three, he lost his mother, and in G. these events later played a large role in the artist’s creative life.

In G. in this team, he worked until May at that time he became a member of the Chinese Communist Party. Then Zhang Huatsin entered the Faculty of Art of Shandun University. It was hard for him to study at the university, since before the war he did not graduate from school. But he, knowing the words of the great Russian scientist D. Mendeleev: “He worked all his life, so he became a genius” 2, spent a lot of effort during the period of three -year training.

The result was not long in coming. The works of novice artists in those years were published in local periodicals, and the first independent picture of Zhang Juaning “Spring Pachot” was published in the newspaper “Youth Shandun”. After graduating from the university in the city of Zhang Huatsin, he worked as an assistant at the Chinese Eastern Art College, but the next year he entered the Central Art Institute for the masters of Tsozhen - and Qi Bayshi - then the position of the institute was held by Xui Baykhun, and the dean of the faculty of oil painting 3.

Zhang Khuatsin memorized that Once all classmates went on a spring walk, and he remained in the workshop to write a self -portrait. The next day, when the master at Tsozhen saw a portrait, he praised the student for zeal. The words of the master encouraged a young artist. In September, Zhang Huatsin moved to the new creative workshop of Professor Van Shiko, who studied painting in Japan, and in Van Shiko was aimed at teaching at the Yanan art school named after Lu Sinin.

Van Shiko created many works: “For the Motherland”, “Army Service”, “Bloody Clothes” 5 and other well -known works on historical topics. His responsible attitude to teaching greatly influenced Zhang Huatsin. Studying with Van Shiko for Zhang Huatsin was happiness. The young artist gained experience for the further stage of training. Initial education in China, Zhang Huatsin in the future helped a lot.

Studying at the Central Art Institute can be considered a period of primary education Zhang Huatsin. After the second year, Zhang Huatsin, as a time -based student, expressed a desire to study in the USSR and was recommended by the Institute to participate in the competition. Before traveling to Leningrad, they went through the annual training of the Russian language at the preparatory department of the Beijing Institute of Foreign Languages.

Zhang Huatsin is the second Chinese graduate of the workshop of professors B. Johanson and A. Zaitsev 8 of the I. Institute named after I. Here he perceived the traditions of the academic school, studied the laws of the composition, the possibilities of the color and methods of transmitting the air, mastered the technology and technique of oil painting. In August, Zhang Huatsin was enrolled in the first year of the faculty of painting of the Leningrad Institute of Painting, Sculpture and Architecture named after I.

In this group, the drawing was taught by Professor Sergey Mikhailovich Mikhailov 9 - one of the last students of P. Mikhailov defended the accuracy of the image and scientificity of the laws of artistic expression. Zhang Huatsin very often recalled his first first -year work - David's drawing and the second - a portrait of the old man. Skull, temporal bone, lower jaw - everything is not depicted in the right place.

The design and proportion is wrong, how will you write further? After these words, I immediately realized what problems were in my picture. I wrote a new picture. Two days later, S. Then I realized that at the I. InstituteRepin pays more attention to the internal image and anatomy, and in China more to appearance. ” Zhang Huatsin understood the importance of anatomy and began to read books, copy.

In addition to natural talent, the peculiarity of this student from China was zeal and greater performance. According to his fellow student Anatoly Nikolsky, in his youth, Zhang Huatsin surprised everyone with his “serious attitude to life and study” 10 Like all students of the picturesque faculty, Zhang Huatsin, after the end of the next course, went to the summer practice, consolidating the knowledge gained during the school year.

The first summer holidays Zhang Huatsin spent with his fellow student Leonid Brytsyn with his parents in the Velikoluk region there he wrote “Portrait of Father Lesha” Il. In the winter, after the second year, Zhang Huatsin underwent summer practice, first on the collective farm of the Ropshinsky district of the Leningrad region, where he participated in the work of land reclamation, and then in Alupka.

In summer practice, he wrote a lot of landscapes. After the fourth and fifth courses, he visited his homeland twice, where he performed training tasks and collected materials for the thesis. Zhang Huatsin visited Riga with a tour organized by the Leningrad Committee of the Komsomol. Zhang Huatsin. Portrait of Father Lesha. Canvas, oil.

Zaitsev, where he was trained in drawing, painting and compositions. In this workshop, the drawing was taught by L. Khudyakov 12, and A. Khudyakov expressed his thoughts after deep thought. He always came up with various topics of setting from nature. All students liked this topic. At first I drew a lot of sketches, but I was not very pleased. The next day, L. on the advice of L.

under the leadership of A. Zaitsev and his assistant V. Sokolov, who acted as a professor, Zhang Juatsin wrote the thesis “Morning of the Tannan” silt.