ROKE Actress Biography
This actress during his lifetime became the legend of the Maly Theater. Unfortunately, the film was almost not captured by her work. Only the film processing of the "Pygmalion" of the year remained, where the actress shines in the role of Eliza Dulitl. Do not get to Chelyabinsk, where the girl lived, in the evacuation of the Small Theater and the Shchepkinsky School, you would see the theater path passed it.
And with her, she would have passed her and all the difficult theatrical living conditions, to which she was organically not adapted. The head of the Franz Roke family was arrested, Constance with his mother was sent from Moscow. By the will of fate, she was in Chelyabinsk, where she caught the eye of Vera Pashennaya, who persuaded her to go to study. Constance of the ROKE. In the year, the young actress debuted on the stage of the famous theater in Moscow.
From the first roles, she attracted the attention of the public. Already after these two roles, the actress became the star of the stage, and theatrical critics declared her the leader of the generation of the 10ths. And it was 4 years after the start of his career! Gypsy Masha. The actress entered this performance to replace Daria Mirrorova. The latter was already in 50 years and play a girl with flowers near the walls of the cathedral.
Paul was already truly implausible. True, when Anna Karenina in the form of Tarasova informed Vronsky, who was 30 years younger than her, that she was pregnant, laughs walked around the hall. Constance Rock completely fucked the image of her Elisa, decorated it with completely different colors. Eliza meplolle. It is worth saying that Daria Mirrorova was very human treated her shift, and did everything so that Constance would safely enter the performance.
If all the actresses were so favorable to the talent of the rooks, then her theatrical life would become a paradise. But soon her life in a small one became more like Hell. The small theater always broke off the hidden backstage wars from the inside. And in the middle of the last century, this was exposed with special force. For at that time there was a change of generations.
In general, you can write a whole romance about the Bitch Wars of the Maly Theater. Now it’s difficult to say who exactly participated in the persecution of a talented actress, it is difficult to reproduce the picture of how it was. It is known that the actress was supported by Ekaterina Turchaninova, Vera Pashennaya, Powerful Tatyana Pankova, who idolized her and called only Castusenka.
But who stood on the other side of the barricades can only guess. Despite the fact that in the year she received the title of People's Artist of the RSFSR, they began to allow her to be extremely careful and selectively to her roles. They whispered in the corners, as if a folk artist, who has stood thousands of performances, was afraid of scenes. Once Constance of the Rock lost consciousness before going on stage and a wave of rumors immediately went that it was sick and mentally inferior.
The wave of intrigues, overthrowing everything still done by it, intensified every year. At the last moment, before going on stage, her competitor literally pushed her out of the stage and began to play a role instead of her. It is strange that K. Rock did not even explain with Babochkin on this topic. It seems that the thin mental organization of the actress broke at the end of X and could no longer resist complex theatrical reality.
In the year, Babobochkin, trying to rehabilitate himself, persuaded her to play a small role in Jeanne Gustavovna in the play of Gorky "Reasons and others." From the tiny role of the baron’s mistress, the role in several replicas, the rook made a masterpiece. This performance was previously called concert. But it was already the final. More on the scene of the Maly Theater, which she considered the shrine, Constance of the horns never went out.
Officially, she was fired from the theater and retired in the year. And this is only at 52 years old.
In the theater and cinema, they do not like successful marriages at all and try to shake and destroy them in every possible way. Those who have their own personal life are not particularly trying to do this. Doronin was the star of the theater, but was a very soft man, and could not protect his beloved wife. During the performance of the role of Judas Golovlev, in the years, Vitaly Doronin felt bad and died on the same day from a heart attack.
It is interesting that in the year of death, Vitaly Doronin and almost in the year of the disappearance of Constance, their daughter Elena debuted on the stage of the Maly Theater. Thus, the dynasty continued. Constance Frantsevna lived up to a year. The only thing she did over the years so voiced the poem "Anna Snegin" by S. Yesenin on the radio. She often went to the premieres in small and other theaters.
The classic recluse did not. Often I visited the actor’s house, where they immediately began to whisper and say that the same one came. But she already lived on the other side of the stage. And what feelings she experienced at the same time knew few. When the actress was still a very young gypsy, a short life knocked down. She was impressed for a long time from what she heard.
But the metaphysical meaning of prediction soon spoke not about physical, but creative early death. So it was true. It was especially insulting that no one from the Maly Theater came to her for a funeral. I wonder if they will remember her on the day of the century?