Pompeya Biography
The contribution made by Pompeya for the Russian independent scene is difficult to overestimate, for the collective, along with their colleagues in the workshop: Tesla Boy, On-The-Go, Eimic and the whole line of talented and particularly demonstrative masters of the genre, can rightfully be considered the most striking and high-quality phenomenon that occurred in the indie sector of the Russian "Indian"-scenes over the past years.
Over its history, the team for the first time in M in their path the musicians from Pompei managed to achieve tremendous successes, to which a great many musicians strive and, as a rule, in vain for many years, soaked in blood and then. The Pompeya group in the shortest possible time managed to gain great success and recognition not only in Russia, but also abroad.
As a result, the team began to rapidly receive all kinds of pleasant pleasures of the suddenly expanding glory and success, such as: musical awards, rotation and on TV, solo concerts and warming up star guards in fashionable clubs of the capital. Pompeya released 2 extremely successful and successful albums, a number of no less outstanding mini-releases, singles, remixes and video clips, and also fall in love with collecting a huge army of fans.
Pompeya play an inventive and bright mixture of soft indie, indie rock and light notes of a melodic post-pans of a new wave, in the best traditions of The Cure. Having heard the music of Pompei for the first time, many music lovers said: “Here it is! Have our musicians have finally learned how to make the music of such a long-awaited, Western format, without this cloying and usually spoiling the impression, primarily vocal taste of our vulgar mentality.” It is as if to learn how to play some complex and interesting melody on the guitar after long vigils behind the "grasshopper" or "smoke on the water" on two bass strings.
The music of the guys bribes a bright and inventive approach to the sound, the musicians have a kind of “holler scent”, as if they learned the secret of a successful and win -win sound. Competent and juicy bass parties, relaxed vocals with excellent pronunciation, old-fashioned disc, fan guitar parties and a cozy pop-atmosphere of the times of a weird retro forced to fall in love with Pompeya’s music literally from the first notes.
It would seem that the old -mode approach to the sound of the team borders on harmony and an amazing melodic, fit perfectly into the most modern standards of actual music. With each new release, the sound of "Pompeii" is becoming more interesting and better, and the teams are constantly introduced in the soil of the teams. For example, the early work of the group was more garaurous and gloomy: on the first notes of Pompeii, echoes of the urban garage indie from x, the debut plate "Tropical" was surprised by the high concentration of the dance-tropic indie, with all the ensuing consequences, and the most extreme release of "Liar Ep" was made in traditions A New Weep Post-Panku in the manner of The Cure or romantics to the brain of the bones The Mary Onettes, in general terms, makes it clear what the third long-play of the Real team, scheduled for the beginning of Go.
Now Pompeya is at the peak of their popularity, the musicians are taking a leading position on the genre Olympus of our independent scene, except that the electrical pioneers of Sint-Pop Sevids and Co, also furious, also plowing with the American label No Shame, and actively gambled America. To the release of their long -awaited third album, which fans have been waiting for a long time.
In general, as they say, life was a success.